Photographs by
Natela Grigalashvili, Francesco Giusti, Peter Holliday
February, 2026
The exhibition "Non c’è due senza tre" ("Things Come in Threes") opens at Lab27 in Treviso. The show originates from an investigation into portraiture and, more broadly, into figurative representation as a pretext for narrating places. From the title onward, attention is drawn to the image as a relational device: between individual and space, between body and territory, between memory and the present. This awareness is rooted in the history of Western visual arts, where figuration introduced a new way of representing the world—more realistic, more corporeal, more emotional, and more closely tied to the viewer’s experience. In the works on display by Natela Grigalashvili, Francesco Giusti, and Peter Holliday, place is never a mere backdrop; rather, it takes shape through what faces, gestures, postures, memories, and even absence evoke.













Photographs by
Natela Grigalashvili, Francesco Giusti, Peter Holliday
February, 2026
The exhibition "Non c’è due senza tre" ("Things Come in Threes") opens at Lab27 in Treviso. The show originates from an investigation into portraiture and, more broadly, into figurative representation as a pretext for narrating places. From the title onward, attention is drawn to the image as a relational device: between individual and space, between body and territory, between memory and the present. This awareness is rooted in the history of Western visual arts, where figuration introduced a new way of representing the world—more realistic, more corporeal, more emotional, and more closely tied to the viewer’s experience. In the works on display by Natela Grigalashvili, Francesco Giusti, and Peter Holliday, place is never a mere backdrop; rather, it takes shape through what faces, gestures, postures, memories, and even absence evoke.














Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam

Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam