FORMAS is the first artist’s monograph by Francesco Balzano, a French designer and photographer. The project stems from the rediscovery of his father after many years apart and unfolds as an intimate journey—a pilgrimage from North to South of Italy, through the landscapes of his paternal homeland. The analog photographs collected are fragments of memory: faces, details, glimpses of landscapes that evoke the poetry of a relationship restored. Not a traditional book, but an editorial object: the pages fold and unfold onto themselves, evoking the shifting nature of memory, which overlaps, resurfaces, and transforms over time. The reader is invited to freely compose their own narrative, as if sifting through a handful of memories. The essential, silent black and white recalls a classical, timeless imagery, where forms and contrasts assume their full expressive power. FORMAS presents itself as a precious relic, wrapped in a letterpress cover embossed with a literary excerpt from Ovid’s Metamorphoses: a shroud enveloping a body of images in constant metamorphosis, an homage to the poetic sensitivity and formal rigor of the author.












FORMAS is the first artist’s monograph by Francesco Balzano, a French designer and photographer. The project stems from the rediscovery of his father after many years apart and unfolds as an intimate journey—a pilgrimage from North to South of Italy, through the landscapes of his paternal homeland. The analog photographs collected are fragments of memory: faces, details, glimpses of landscapes that evoke the poetry of a relationship restored. Not a traditional book, but an editorial object: the pages fold and unfold onto themselves, evoking the shifting nature of memory, which overlaps, resurfaces, and transforms over time. The reader is invited to freely compose their own narrative, as if sifting through a handful of memories. The essential, silent black and white recalls a classical, timeless imagery, where forms and contrasts assume their full expressive power. FORMAS presents itself as a precious relic, wrapped in a letterpress cover embossed with a literary excerpt from Ovid’s Metamorphoses: a shroud enveloping a body of images in constant metamorphosis, an homage to the poetic sensitivity and formal rigor of the author.













Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam

Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam