There are places that are ideal for the flourishing of imagination, where the heart arrives before reason, and the eye sees without the need to look. Here, the mind is free—it surrenders to uncertain horizons. For Nicola Cappellari, some watery landscapes of the Veneto region become just such places, where time is governed by the tide and by a constant, gravitational, slow, and mysterious movement that oscillates between flowing and retreating, shaping both the landscape and its perception.
The volume, presented in a leporello format, embraces the tide through a pagination that expands and contracts—an invitation to accept it naturally, along with its invisible logic, in order to align oneself with the infinite universe.
The photographs reproduced in this book are scans of Nicola Cappellari’s original silver gelatin prints and are accompanied by a geography of words—a sentimental map created in letterpress using vintage type from the Tipoteca Italiana archive. Designed by Roberto Vito d’Amico.
There are places that are ideal for the flourishing of imagination, where the heart arrives before reason, and the eye sees without the need to look. Here, the mind is free—it surrenders to uncertain horizons. For Nicola Cappellari, some watery landscapes of the Veneto region become just such places, where time is governed by the tide and by a constant, gravitational, slow, and mysterious movement that oscillates between flowing and retreating, shaping both the landscape and its perception.
The volume, presented in a leporello format, embraces the tide through a pagination that expands and contracts—an invitation to accept it naturally, along with its invisible logic, in order to align oneself with the infinite universe.
The photographs reproduced in this book are scans of Nicola Cappellari’s original silver gelatin prints and are accompanied by a geography of words—a sentimental map created in letterpress using vintage type from the Tipoteca Italiana archive. Designed by Roberto Vito d’Amico.
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico
Steve Bisson is an educator, curator, and writer. He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts. Bisson serves as the editor-in-chief of the publishing house Penisola Edizioni, and art director of Lab27, a cultural center dedicated to promoting exhibitions and fostering public discourse on issues at the intersection of image-making, photography, and society.
He has curated over a hundred events, including exhibitions and festivals, and has authored countless writings and publications, collaborating with cultural and educational institutions worldwide, and spent the past 20 years questioning the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has also been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 15 years.
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Design by Roberto Vito D'Amico