Selected works from the
Dionisio Gavagnin Collection
Artworks by
Jeffrey Wolin
Sofía Fernández-García
Cristina Comparato
September, 2026
Lab27 inaugurates its new 2026–27 programme with the exhibition Seeing Words. Between Writing and Image, opening on September 25 at 9 p.m., curated by Steve Bisson and Dionisio Gavagnin. Bringing together a selection of unique works of Visual Poetry from the collection of Dionisio Gavagnin with more recent works by Jeffrey Wolin, Sofía Fernández-García, and Cristina Comparato, the exhibition explores the shifting relationship between word and image, examining the ways in which this relationship contributes to constructing, directing, and questioning our perception of reality. Spanning a period of 60 years, the exhibition reflects on the power of images in contemporary society and on the mechanisms that determine how they are read—from mass communication to advertising, from memory to the representation of violence, and ultimately to the current proliferation of digital images.
Visual Poetry questioned language and the social role of the image during the second half of the twentieth century. By freeing the word from the linearity of the page and the image from its presumed neutrality, artists developed strategies capable of exposing the mechanisms through which communication produces consensus, desire, and value. It is no coincidence that this investigation also encompassed art, advertising, and the increasing transformation of the image into a commodity: to challenge language also meant challenging the systems that use language to define, classify, and sell reality. In this sense, many experiments in Visual Poetry anticipated a condition that is now familiar to us: the blending of verbal, photographic, graphic, and optical elements that characterises the internet and the digital ecosystem. Long before the web made this contamination commonplace, Visual Poetry had already understood that an image is more than what it shows, just as a word is more than what it says.



















Selected works from the
Dionisio Gavagnin Collection
Artworks by
Jeffrey Wolin
Sofía Fernández-García
Cristina Comparato
September, 2026
Lab27 inaugurates its new 2026–27 programme with the exhibition Seeing Words. Between Writing and Image, opening on September 25 at 9 p.m., curated by Steve Bisson and Dionisio Gavagnin. Bringing together a selection of unique works of Visual Poetry from the collection of Dionisio Gavagnin with more recent works by Jeffrey Wolin, Sofía Fernández-García, and Cristina Comparato, the exhibition explores the shifting relationship between word and image, examining the ways in which this relationship contributes to constructing, directing, and questioning our perception of reality. Spanning a period of 60 years, the exhibition reflects on the power of images in contemporary society and on the mechanisms that determine how they are read—from mass communication to advertising, from memory to the representation of violence, and ultimately to the current proliferation of digital images.
Visual Poetry questioned language and the social role of the image during the second half of the twentieth century. By freeing the word from the linearity of the page and the image from its presumed neutrality, artists developed strategies capable of exposing the mechanisms through which communication produces consensus, desire, and value. It is no coincidence that this investigation also encompassed art, advertising, and the increasing transformation of the image into a commodity: to challenge language also meant challenging the systems that use language to define, classify, and sell reality. In this sense, many experiments in Visual Poetry anticipated a condition that is now familiar to us: the blending of verbal, photographic, graphic, and optical elements that characterises the internet and the digital ecosystem. Long before the web made this contamination commonplace, Visual Poetry had already understood that an image is more than what it shows, just as a word is more than what it says.




















Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 20 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam

Steve Bisson is an educator, curator, and writer.
He is the Chair of Photography at the Paris College of Art and co-founder of the international program Blurring the Lines, which fosters intra-academic dialogue and recognizes outstanding graduate work in photography and the visual arts. He is also the founder of the Urbanautica Institute, an online visual anthropology journal that has become a key reference for scholars and photography enthusiasts.
Bisson serves as Editor-in-Chief of the publishing house Penisola Edizioni and as Art Director of Lab27, a cultural center that advocates for issues at the intersection of image-making, photography, and society.
Over the past two decades, Steve Bisson has curated more than a hundred events—including exhibitions and festivals—and authored numerous essays and publications. He has collaborated with cultural and educational institutions worldwide and continuously questions the role of images in society.
• Coaching and Portfolio Review
Go to Coaching and Portfolio Review page
Steve Bisson has been delivering lectures, mentoring, and collaborating extensively with leading cultural and educational institutions around the world for the past 20 years and leaning to the understanding of the cultural and social dynamics associated with photography. In 2016, in collaboration with Klaus Fruchtnis, he co-founded Blurring the Lines, an academic network that fosters talent and dialogue in the visual realm.
—
Design by Roberto Vito D'Amico
Photo by Ali Ghorbani Moghaddam